- 🔭 I’m currently working on a long-term project called The Refcards-Project, which is a kind of cross between a library card catalog and a primitive internet based entirely on index cards and collections of index cards with references to one another;
- I'm also working on a new novel and interdisciplinary art-research project called The Archives-Project;
- 🌱 I’m currently learning more and more about Python, trying to learn how to make GUIs and work with Flask to make simple web apps; I've been reading the books Fluent Python, CPython Internals, and Neural Networks From Scratch in Python;
- 👯 I’m looking to collaborate on open source projects on GitHub;
- 📫 How to reach me: You can reach me on Twitter at @antisignal;
- 📫 You can reach me at the same handle on Mastodon at @antisignal;
- 📫 I am also on the following websites:
- I'm also on Substack;
- I have a Personal Website where you can get information about my Projects;
- I have a Professional Website for my Historiotheque Concept, My Art-Design-Research Laboratories;
- I am also write songs and do ambient, experimental sound design:
- I also have a Playlist on Youtube with some of my Philosophical Lectures, a.k.a. Extreme Philosophy;
- ⚡ Fun fact: As I said above, I'm an interdisciplinary artist-researcher. That's what I was in my previous life before learning computer science and programming; I'm on my 13th year of programming and it's funny because I've been programming for over a decade and I don't have much to show for it; mostly I just understand the Python language (Internals, etc.) really well and can read and write code fluently, even if I don't have any major projects to show for (I spend hours reading other people's code on GitHub as part of my daily disciplinary practice; I think Reading Code is too often overlooked);
- Most of my repositories on this GitHub account don't actually contain code, just ideas and concepts, conceptual systems, Art-Research Projects, novels ,etc.; if you want to see an Index of my repositories check Index;
This site and its contents are part of an ongoing research-creation project exploring the intersections of art, history, and philosophy. All works are offered in good faith as contributions to public discourse and aesthetic reflection. The responsibility for interpretation remains with each participant in that dialogue.