Sharp Ends
Alex Mylona moved away from the human figure to fully devote herself to vertical surfaces on abstract hammered iron sculptures at the end of 1950s.
A Modern Set Design
This piece was presented in bronze as a model for a 1950s version of Sophocle's play "Ajax"
Representing Greekness Abroad
After defining her style, Mylona had solo exhibitions such as at the 30th Venice Biennale in 1960.
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