US20060011679A1 - Tool holder - Google Patents
Tool holder Download PDFInfo
- Publication number
- US20060011679A1 US20060011679A1 US10/894,323 US89432304A US2006011679A1 US 20060011679 A1 US20060011679 A1 US 20060011679A1 US 89432304 A US89432304 A US 89432304A US 2006011679 A1 US2006011679 A1 US 2006011679A1
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- US
- United States
- Prior art keywords
- brush
- holder
- tool
- tool holder
- forearm
- Prior art date
- Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
- Abandoned
Links
- 210000000245 forearm Anatomy 0.000 claims abstract description 19
- 210000003414 extremity Anatomy 0.000 claims description 5
- 239000002537 cosmetic Substances 0.000 abstract description 7
- 239000000463 material Substances 0.000 description 5
- 238000010276 construction Methods 0.000 description 3
- 208000032544 Cicatrix Diseases 0.000 description 2
- 208000027418 Wounds and injury Diseases 0.000 description 2
- 239000002131 composite material Substances 0.000 description 2
- 210000004709 eyebrow Anatomy 0.000 description 2
- 210000002414 leg Anatomy 0.000 description 2
- 239000003973 paint Substances 0.000 description 2
- 231100000241 scar Toxicity 0.000 description 2
- 230000037387 scars Effects 0.000 description 2
- 229920000742 Cotton Polymers 0.000 description 1
- 239000004677 Nylon Substances 0.000 description 1
- 206010052428 Wound Diseases 0.000 description 1
- 230000003796 beauty Effects 0.000 description 1
- 244000309466 calf Species 0.000 description 1
- 239000003086 colorant Substances 0.000 description 1
- 239000006071 cream Substances 0.000 description 1
- 230000006378 damage Effects 0.000 description 1
- 230000001815 facial effect Effects 0.000 description 1
- 239000003292 glue Substances 0.000 description 1
- 208000014674 injury Diseases 0.000 description 1
- 239000000976 ink Substances 0.000 description 1
- 229920001778 nylon Polymers 0.000 description 1
- 229920000728 polyester Polymers 0.000 description 1
- 239000000843 powder Substances 0.000 description 1
- 230000000284 resting effect Effects 0.000 description 1
- 230000036548 skin texture Effects 0.000 description 1
- 238000001356 surgical procedure Methods 0.000 description 1
- 210000000689 upper leg Anatomy 0.000 description 1
- 230000000007 visual effect Effects 0.000 description 1
Images
Classifications
-
- B—PERFORMING OPERATIONS; TRANSPORTING
- B25—HAND TOOLS; PORTABLE POWER-DRIVEN TOOLS; MANIPULATORS
- B25H—WORKSHOP EQUIPMENT, e.g. FOR MARKING-OUT WORK; STORAGE MEANS FOR WORKSHOPS
- B25H3/00—Storage means or arrangements for workshops facilitating access to, or handling of, work tools or instruments
-
- A—HUMAN NECESSITIES
- A45—HAND OR TRAVELLING ARTICLES
- A45F—TRAVELLING OR CAMP EQUIPMENT: SACKS OR PACKS CARRIED ON THE BODY
- A45F5/00—Holders or carriers for hand articles; Holders or carriers for use while travelling or camping
-
- A—HUMAN NECESSITIES
- A45—HAND OR TRAVELLING ARTICLES
- A45F—TRAVELLING OR CAMP EQUIPMENT: SACKS OR PACKS CARRIED ON THE BODY
- A45F5/00—Holders or carriers for hand articles; Holders or carriers for use while travelling or camping
- A45F5/1575—Holders or carriers for portable tools
Definitions
- Make-up artists work in the entertainment, television, film and commercial products industries, applying make-up for actors, performers and others who make public appearances. Their work may require them to apply make-up in several shades and colors to actors in costume dramas, to create scars and wounds for actors in horror films, or to hide blemishes on or make slight changes to shape the face of a television news reporter. Make-up artists may also work in beauty salons and department stores where products are sold to the general public or in the medical profession, to hide scars and deformities that result from surgeries and injuries.
- Artists of all types use brushes to apply paint and other products to their targets. Make-up artists in particular, use brushes to apply powders and other cosmetics to human models or to mannequins. Cosmetics are often provided in individual containers and placed on a carrier, tray, palette, table or other surface that rests within a reasonable distance from the artist and model. The artist then selects the appropriate product, dips the brush into the container and contacts the model's face or other body part to apply the cosmetics. To avoid mixing the different cosmetics that are applied, the artist will use several brushes during a single make-up session. Brushes are available in a wide variety sizes and densities to allow the artist to apply the cosmetics as is required to obtain the desired visual appearance.
- While placing brushes and other tools on a table located in the work area may be acceptable under some circumstances, it can also be inconvenient.
- a make-up artist will often have to move very close to the model's face in order to apply make-up to his eyes, cheeks, lips, etc. In such cases, it becomes very inefficient for the artist to move away from the model to retrieve brushes, eye-liner and eye-brow pencils and other tools from a table placed at a distant location in the work area. Instead, they often store their tools in articles that can be carried, worn or transported in some other way, so they can have immediate access to their tools as they move about the work area.
- Available transportable devices include belts, easels, hangers, portfolios, folders and roll-up devices, all of which include pockets for storing brushes.
- While transportable devices enable the artist to keep tools within his reach, all of the currently available devices require the artist to look into the bag or down at the belt or harness to exchange or retrieve tools. To maintain continuity in the make-up being applied and to complete the work more efficiently, it is essential for the artist to be able to keep the model in his line of sight and thus, bags, belts, harnesses and other devices that are currently are used throughout the industry available devices are usually unacceptable. Aside from requiring the artist to look away from the model, available devices are also inadequate because they often fail to secure the tools that are stored inside and because it is difficult to access the tools as they are needed.
- an armband for holding tools includes a body having at least one tool retaining portion located thereon, with the body being configured to form a tight fit with a human forearm.
- the armband may comprise a form fitting sleeve, with a plurality of tool retaining portions located on its exterior surface and its interior surface firmly abutting at least a portion of said forearm.
- a brush holder in another aspect, includes a storage portion with at least one brush compartment and a mounting portion that is configured to attach the storage portion to a human extremity, such as a forearm, upper arm, leg, etc.
- a tool holder in still another aspect, includes a shape conforming band with a plurality of tool retaining receptacles located on its surface.
- FIG. 1 provides an example of a work area in which an operator may complete a task by maintaining sight on a subject.
- FIG. 2 provides an example of a tool holder that has retaining pockets that rest on top of its body.
- FIG. 3 provides an example of a tool holder with retaining pockets that that are accessed through slots in its body.
- FIG. 4 is an illustration of a tool holder that includes a forearm fitting armband.
- FIG. 5 shows a tool holder that has a composite construction.
- FIG. 6 provide an example of a tool holder that has retaining portions arranged in layers.
- FIG. 7 provides an example of a tool holder that has retaining portions arranged in tiers.
- a device for holding work pieces can be kept within the user's range of vision as he focuses on a target. More specifically, the device can be worn around an arm or other appropriate body part and used to hold tools as the user moves about the work area keeping his eyes focused on the subject of his work. Thus, not only can the device remain within the user's reach, the user can continuously select and exchange tools without having to look away from the subject. Accordingly, the user can complete the task at hand more efficiently.
- FIG. 1 provides one example of a work area 10 that may be used by an artist 20 applying make-up to a model 30 .
- work area 10 is arranged such that the artist 20 can access all sides of model 30 by moving in a generally circular path in either direction as indicated by arrow 16 and/or by rotating a chair or other base that supports model 30 , as indicated by arrow 18 . While work area 10 is shown as allowing access to all sides of model 30 , it understood that access may be more limited in other work environments, and that model 30 and/or artist 20 may remain in stationary positions.
- Artist 20 typically accesses one or more tables, stools or other substantially planar surfaces 14 to exchange the brushes, pencils and other tools 12 he needs to perform his job. Under these circumstances, artist 20 may carry one or two tools 12 with him from table 14 to the area adjacent model 30 , apply the selected make-up and return to table 14 each time he needs to exchange or retrieve tools 12 . If it is important to maintain close proximity to model 30 , artist 20 may store some of his tools 12 in a bag, belt, harness or other transportable article that can be carried or worn as he moves about work area 10 . This typically enables artist 20 to gain immediate access a larger number of tools. Rather than return to table 14 each time he needs to exchange tools, he instead looks down into the bag, belt or other article, locates the tool he needs, and retrieves it from the article.
- a tool holder 40 includes a flexible body 42 with one or more tool retaining portions 44 distributed across its surface.
- retaining portions 44 will include longitudinally extending pockets, chambers, compartments or other receptacles that are capable of receiving and retaining the tools that the user needs to complete his work.
- retaining portions 44 may include elastic bands, and tools may be inserted under the bands and held in place.
- pockets may be take on several forms. For example, retaining pockets 44 may be accessed on top of the body 42 as shown in FIG. 2 and/or they may be accessed through slotted openings in the body 42 as shown in FIG. 3 .
- FIG. 4 provides an example of a tool holder 40 that enables an artist 20 to keep model 30 within his line of sight as he retrieves and exchanges brushes, pencils and other tools 12 . While the invention is described herein as being used by an artist 20 to store brushes, pencils and other make-up art supplies, it is understood that tool holder 40 could have many other uses.
- tool holder 40 includes a form fitting armband that fits tight around a human body part, such as a forearm.
- Flexible body 42 may be made from any material that can be worn comfortably by a user and that is sufficiently durable for multiple uses, including, but not limited to cotton, polyester and nylon.
- tool retaining portions 44 are distributed around the exterior surface of body 42 .
- Artist 20 can insert his forearm or other body part inside flexible body 42 , resting the interior surface of flexible body 42 against his forearm.
- some or all of the body 42 may be made from an expandable material that can be opened to allow entry of the artist's hand and arm and then closed when artist's forearm has been placed inside.
- tool holder 40 may be provided in a unitary construction, it may also have a composite construction as shown in FIG. 5 . More specifically, tool holder 40 may include a gap region 48 that is empty, made from a different material from that of body 42 or made from the same material but otherwise distinguished form body 42 , depending upon the functionality that is desired. For example, gap region 48 may be made from a material that is more elastic than that of the body 42 in order to allow tool holder 40 to accommodate a wider variety of forearm sizes, it may be used to provide a customized fit, or it may be used to deposit markings, such as for personalization or to add artistic qualities.
- the tool holder 40 may be secured to the forearm using one or more fasteners 50 such as velcro strips, buttons, snaps, hooks, pins, etc. to close at least a portion of gap 48 .
- tool holder 40 may also be varied as required to accommodate the varying needs of its user.
- retainers 44 may be provided in varying sizes to accommodate different brush handle and other tool sizes.
- Retainers 44 may also be arranged in layers as shown, for example, in FIG. 6 or in tiers that extend radially from the body 42 as shown in FIG. 7 , which may provide increased storage capacity.
- tool holder is described herein as being worn on a forearm, it is also understood that it could be worn on different parts of the body under appropriate circumstances. For example, it may also be possible for the user to keep the subject in his line of sight if it is worn on his upper arm, rather than on his forearm. For tasks that require the user to stand above a subject and look down, the device could be worn on the operator's thigh, calf or waist.
- tool holder 40 is described as being used by an artist 20 to hold brushes, pencils and other supplies that are commonly used by make-up artists, it could easily be adapted for many other uses.
- other artists could use the device to store paint, pens, pencils, inks, glue and other tools and supplies; a mechanic or other skilled tradesmen could use tool holder 40 to store screwdrivers, drill bits, wrenches and other tools that are required to repair and/or assemble various types of machinery; and a speaker or entertainer or other attraction could use the device to hold exhibits that will be displayed during a presentation or used during an event.
- a tool holder enables a make-up artist and any other user to keep a model, easel or other subject within his line of sight as he exchanges brushes and the other tools he needs to efficiently perform his job. Rather than being stored near the user's midsection, between his legs or perhaps on a nearby surface, tools can be maintained at arm, hand, and eye level. Placing the brushes in this position provides for more efficient application of make-up to the subject. Using the disclosed tool holder, the artist can also select those tools that are required for the specific application and avoid having to tote his entire collection of tools when most of them will not be used.
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- Engineering & Computer Science (AREA)
- Mechanical Engineering (AREA)
- Prostheses (AREA)
Abstract
Disclosed is a tool holder that enables its user to maintain a target in his line of sight as he retrieves and exchanges tools. The tool holder can be worn, for example, by a make-up artist to enable him to keep a model in his line of sight as he exchanges make-up brushes and other tools that are required to apply cosmetics. In one aspect, the tool holder is configured to conform to the shape of the user's body, causing it to provide a tight fit with the user's forearm. The outer surface of the tool holder includes slots and/or pockets that vary in size, for inserting and retaining brush handles and other tools in a wide variety of sizes, until they are removed by the user. Slots and/or pockets can be provided in various arrangements, to increase storage capacity or provide increased accessibility.
Description
- Make-up artists work in the entertainment, television, film and commercial products industries, applying make-up for actors, performers and others who make public appearances. Their work may require them to apply make-up in several shades and colors to actors in costume dramas, to create scars and wounds for actors in horror films, or to hide blemishes on or make slight changes to shape the face of a television news reporter. Make-up artists may also work in beauty salons and department stores where products are sold to the general public or in the medical profession, to hide scars and deformities that result from surgeries and injuries. To succeed in their professions, these artists must be knowledgeable about a wide variety of available eye shadows, blushes, foundations, eyebrow, eyeliner pencils and mascara, cleansing creams and other cosmetics, they must select the products that are most appropriate for the task at hand and apply them to models of both genders, all sizes, racial and ethnic backgrounds, with different facial features, skin tones and skin textures, to create a natural appearance.
- Artists of all types use brushes to apply paint and other products to their targets. Make-up artists in particular, use brushes to apply powders and other cosmetics to human models or to mannequins. Cosmetics are often provided in individual containers and placed on a carrier, tray, palette, table or other surface that rests within a reasonable distance from the artist and model. The artist then selects the appropriate product, dips the brush into the container and contacts the model's face or other body part to apply the cosmetics. To avoid mixing the different cosmetics that are applied, the artist will use several brushes during a single make-up session. Brushes are available in a wide variety sizes and densities to allow the artist to apply the cosmetics as is required to obtain the desired visual appearance.
- While placing brushes and other tools on a table located in the work area may be acceptable under some circumstances, it can also be inconvenient. For example, a make-up artist will often have to move very close to the model's face in order to apply make-up to his eyes, cheeks, lips, etc. In such cases, it becomes very inefficient for the artist to move away from the model to retrieve brushes, eye-liner and eye-brow pencils and other tools from a table placed at a distant location in the work area. Instead, they often store their tools in articles that can be carried, worn or transported in some other way, so they can have immediate access to their tools as they move about the work area. Available transportable devices include belts, easels, hangers, portfolios, folders and roll-up devices, all of which include pockets for storing brushes.
- While transportable devices enable the artist to keep tools within his reach, all of the currently available devices require the artist to look into the bag or down at the belt or harness to exchange or retrieve tools. To maintain continuity in the make-up being applied and to complete the work more efficiently, it is essential for the artist to be able to keep the model in his line of sight and thus, bags, belts, harnesses and other devices that are currently are used throughout the industry available devices are usually unacceptable. Aside from requiring the artist to look away from the model, available devices are also inadequate because they often fail to secure the tools that are stored inside and because it is difficult to access the tools as they are needed.
- Accordingly, there is a need for an apparatus that enables a make-up artist to select and exchange the tools he needs while keeping the model in his line of sight. It is also desirable to provide an apparatus that provides easy access to tool handles and grips and to provide a device that properly secures the tools that are stored.
- In one aspect, an armband for holding tools includes a body having at least one tool retaining portion located thereon, with the body being configured to form a tight fit with a human forearm. The armband may comprise a form fitting sleeve, with a plurality of tool retaining portions located on its exterior surface and its interior surface firmly abutting at least a portion of said forearm.
- In another aspect, a brush holder includes a storage portion with at least one brush compartment and a mounting portion that is configured to attach the storage portion to a human extremity, such as a forearm, upper arm, leg, etc.
- In still another aspect, a tool holder includes a shape conforming band with a plurality of tool retaining receptacles located on its surface.
-
FIG. 1 provides an example of a work area in which an operator may complete a task by maintaining sight on a subject. -
FIG. 2 provides an example of a tool holder that has retaining pockets that rest on top of its body. -
FIG. 3 provides an example of a tool holder with retaining pockets that that are accessed through slots in its body. -
FIG. 4 is an illustration of a tool holder that includes a forearm fitting armband. -
FIG. 5 shows a tool holder that has a composite construction. -
FIG. 6 provide an example of a tool holder that has retaining portions arranged in layers. -
FIG. 7 provides an example of a tool holder that has retaining portions arranged in tiers. - A device for holding work pieces can be kept within the user's range of vision as he focuses on a target. More specifically, the device can be worn around an arm or other appropriate body part and used to hold tools as the user moves about the work area keeping his eyes focused on the subject of his work. Thus, not only can the device remain within the user's reach, the user can continuously select and exchange tools without having to look away from the subject. Accordingly, the user can complete the task at hand more efficiently.
-
FIG. 1 provides one example of awork area 10 that may be used by an artist 20 applying make-up to amodel 30. As shown,work area 10 is arranged such that the artist 20 can access all sides ofmodel 30 by moving in a generally circular path in either direction as indicated byarrow 16 and/or by rotating a chair or other base that supportsmodel 30, as indicated byarrow 18. Whilework area 10 is shown as allowing access to all sides ofmodel 30, it understood that access may be more limited in other work environments, and thatmodel 30 and/or artist 20 may remain in stationary positions. - Artist 20 typically accesses one or more tables, stools or other substantially
planar surfaces 14 to exchange the brushes, pencils andother tools 12 he needs to perform his job. Under these circumstances, artist 20 may carry one or twotools 12 with him from table 14 to the areaadjacent model 30, apply the selected make-up and return to table 14 each time he needs to exchange or retrievetools 12. If it is important to maintain close proximity tomodel 30, artist 20 may store some of histools 12 in a bag, belt, harness or other transportable article that can be carried or worn as he moves aboutwork area 10. This typically enables artist 20 to gain immediate access a larger number of tools. Rather than return to table 14 each time he needs to exchange tools, he instead looks down into the bag, belt or other article, locates the tool he needs, and retrieves it from the article. - Turning to
FIG. 2 , atool holder 40 includes aflexible body 42 with one or moretool retaining portions 44 distributed across its surface. Generally speaking, retainingportions 44 will include longitudinally extending pockets, chambers, compartments or other receptacles that are capable of receiving and retaining the tools that the user needs to complete his work. However, other arrangements are possible and the disclosed device is not limited to this embodiment. For example, retainingportions 44 may include elastic bands, and tools may be inserted under the bands and held in place. It is also noted that when pockets are provided, they may be take on several forms. For example, retainingpockets 44 may be accessed on top of thebody 42 as shown inFIG. 2 and/or they may be accessed through slotted openings in thebody 42 as shown inFIG. 3 . -
FIG. 4 provides an example of atool holder 40 that enables an artist 20 to keepmodel 30 within his line of sight as he retrieves and exchanges brushes, pencils andother tools 12. While the invention is described herein as being used by an artist 20 to store brushes, pencils and other make-up art supplies, it is understood thattool holder 40 could have many other uses. In the example shown,tool holder 40 includes a form fitting armband that fits tight around a human body part, such as a forearm.Flexible body 42 may be made from any material that can be worn comfortably by a user and that is sufficiently durable for multiple uses, including, but not limited to cotton, polyester and nylon. - In one such device,
tool retaining portions 44 are distributed around the exterior surface ofbody 42. Artist 20 can insert his forearm or other body part insideflexible body 42, resting the interior surface offlexible body 42 against his forearm. In a device such as that illustrated inFIG. 4 , some or all of thebody 42 may be made from an expandable material that can be opened to allow entry of the artist's hand and arm and then closed when artist's forearm has been placed inside. - While
tool holder 40 may be provided in a unitary construction, it may also have a composite construction as shown inFIG. 5 . More specifically,tool holder 40 may include agap region 48 that is empty, made from a different material from that ofbody 42 or made from the same material but otherwisedistinguished form body 42, depending upon the functionality that is desired. For example,gap region 48 may be made from a material that is more elastic than that of thebody 42 in order to allowtool holder 40 to accommodate a wider variety of forearm sizes, it may be used to provide a customized fit, or it may be used to deposit markings, such as for personalization or to add artistic qualities. Thetool holder 40 may be secured to the forearm using one ormore fasteners 50 such as velcro strips, buttons, snaps, hooks, pins, etc. to close at least a portion ofgap 48. - Other portions of
tool holder 40 may also be varied as required to accommodate the varying needs of its user. For example,retainers 44 may be provided in varying sizes to accommodate different brush handle and other tool sizes.Retainers 44 may also be arranged in layers as shown, for example, inFIG. 6 or in tiers that extend radially from thebody 42 as shown inFIG. 7 , which may provide increased storage capacity. - While tool holder is described herein as being worn on a forearm, it is also understood that it could be worn on different parts of the body under appropriate circumstances. For example, it may also be possible for the user to keep the subject in his line of sight if it is worn on his upper arm, rather than on his forearm. For tasks that require the user to stand above a subject and look down, the device could be worn on the operator's thigh, calf or waist.
- As stated earlier, while
tool holder 40 is described as being used by an artist 20 to hold brushes, pencils and other supplies that are commonly used by make-up artists, it could easily be adapted for many other uses. For example, other artists could use the device to store paint, pens, pencils, inks, glue and other tools and supplies; a mechanic or other skilled tradesmen could usetool holder 40 to store screwdrivers, drill bits, wrenches and other tools that are required to repair and/or assemble various types of machinery; and a speaker or entertainer or other attraction could use the device to hold exhibits that will be displayed during a presentation or used during an event. - Accordingly, a tool holder enables a make-up artist and any other user to keep a model, easel or other subject within his line of sight as he exchanges brushes and the other tools he needs to efficiently perform his job. Rather than being stored near the user's midsection, between his legs or perhaps on a nearby surface, tools can be maintained at arm, hand, and eye level. Placing the brushes in this position provides for more efficient application of make-up to the subject. Using the disclosed tool holder, the artist can also select those tools that are required for the specific application and avoid having to tote his entire collection of tools when most of them will not be used.
Claims (20)
1. An armband for holding tools, comprising:
a body having at least one tool receiving pocket located thereon, said body being configured to form a tight fit with a human forearm.
2. An armband for holding tools as claimed in claim 1 further comprising a form fitting sleeve having an exterior surface and an interior surface, with a plurality of tool retaining portions located on said exterior surface and said interior surface firmly abutting at least a portion of said forearm.
3. An armband for holding tools as claimed in claim 1 wherein said body is secured to said forearm using a fastener.
4. An armband for holding tools as claimed in claim 3 wherein said fastener includes velcro.
5. A brush holder, comprising:
a storage portion that includes at least one brush compartment; and
a mounting portion configured to attach said storage portion to a human extremity.
6. A brush holder as claimed in claim 5 wherein said storage portion includes a plurality of brush storage compartments.
7. A brush holder as claimed in claim 6 further comprising a form fitting sleeve with an interior surface that tightly surrounds at least a portion of said extremity.
8. A brush holder as claimed in claim 6 wherein said human extremity is a forearm.
9. A brush holder as claimed in claim 8 wherein said storage portion is secured to said forearm using a fastener.
10. A brush holder as claimed in claim 8 wherein said brush storage compartments are varied in size.
11. A brush holder as claimed in claim 8 wherein said brush storage compartments are arranged in tiers.
12. A brush holder as claimed in claim 8 wherein said brush storage compartments are arranged in layers.
13. A brush holder as claimed in claim 8 wherein said brush storage compartments have slotted openings.
14. A brush holder as claimed in claim 8 wherein said brush storage compartments are pockets.
15. A brush holder as claimed in claim 6 wherein said extremity is an upper arm.
16. A tool holder, comprising a shape conforming band having a plurality of tool retaining receptacles located thereon.
17. A tool holder as claimed in claim 16 , wherein said tool retaining receptacles have varying sizes.
18. A tool holder as claimed in claim 16 , wherein said tool retaining receptacles have slotted openings.
19. A tool holder as claimed in claim 16 , wherein said shape confirming band is secured to said forearm using a fastener.
20. A tool holder as claimed in claim 19 , wherein said fastener includes velcro.
Priority Applications (1)
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US10/894,323 US20060011679A1 (en) | 2004-07-19 | 2004-07-19 | Tool holder |
Applications Claiming Priority (1)
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US10/894,323 US20060011679A1 (en) | 2004-07-19 | 2004-07-19 | Tool holder |
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US20060011679A1 true US20060011679A1 (en) | 2006-01-19 |
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Cited By (22)
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US20050263550A1 (en) * | 2004-05-04 | 2005-12-01 | Outside The Box Innovations, Llc D/B/A Otb Innovations | Tool holding device |
USD551551S1 (en) | 2006-03-06 | 2007-09-25 | Woolery Andre A | Product display |
US20090095785A1 (en) * | 2007-10-11 | 2009-04-16 | Aaw Products, Inc. | Magnetic tool belt and tool belt accessories |
US20090094801A1 (en) * | 2007-10-11 | 2009-04-16 | Aaw Products, Inc. | Magnetic work clothes |
US20090314813A1 (en) * | 2008-06-24 | 2009-12-24 | Aaw Products, Inc. | Magnetic tool holster |
US20110073343A1 (en) * | 2009-09-25 | 2011-03-31 | Panasonic Electric Works Power Tools Co., Ltd. | Electric power tool |
US20110214214A1 (en) * | 2010-03-03 | 2011-09-08 | Honeywell International Inc. | pocket for a v-blade safety and rescue knife |
US20130020359A1 (en) * | 2011-02-25 | 2013-01-24 | Tyler Green | Wonderband systems |
US8403140B2 (en) | 2009-07-13 | 2013-03-26 | Aaw Products, Inc. | Apparatus and method for displaying tool holders incorporating magnets |
US20160106201A1 (en) * | 2014-10-17 | 2016-04-21 | Biowerx, LLC | Smartphone armlet |
US20160169648A1 (en) * | 2014-12-12 | 2016-06-16 | Dwain Singleton | Ammunition Carrying Apparatus |
US9648941B1 (en) * | 2015-11-19 | 2017-05-16 | Sergio Gonzalez | Magnetic tool belt and wrist strap kit |
US9846008B1 (en) * | 2016-06-01 | 2017-12-19 | Michael C. DiLeo | Holster |
US20170360184A1 (en) * | 2016-06-16 | 2017-12-21 | Sinergy, Llc | Arm worn hydration device |
US20180116204A1 (en) * | 2016-11-01 | 2018-05-03 | Ricky Gravely | Hunting arm sleeve |
US10062364B1 (en) * | 2016-11-10 | 2018-08-28 | Justin M. Amaral | Drumstick sleeve |
US10173334B2 (en) | 2013-05-03 | 2019-01-08 | MagnoGrip Inc. | Magnetic utility knife and holder |
USD848143S1 (en) | 2018-01-19 | 2019-05-14 | TBC Construction Products, LLC | Tooling spoon holster |
USD871764S1 (en) | 2018-02-22 | 2020-01-07 | Andre A. Woolery | Tool bag |
US10786068B1 (en) * | 2019-03-13 | 2020-09-29 | Aaron Gross | Dual strip magnetic fastening |
US10806194B1 (en) * | 2020-01-31 | 2020-10-20 | Joshua Tyson | Beauty gloves |
US12122559B2 (en) | 2021-11-24 | 2024-10-22 | MagnoGrip Inc. | Tool holding system, method and device with cover sheet |
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US20050263550A1 (en) * | 2004-05-04 | 2005-12-01 | Outside The Box Innovations, Llc D/B/A Otb Innovations | Tool holding device |
USD551551S1 (en) | 2006-03-06 | 2007-09-25 | Woolery Andre A | Product display |
US20090095785A1 (en) * | 2007-10-11 | 2009-04-16 | Aaw Products, Inc. | Magnetic tool belt and tool belt accessories |
US20090094801A1 (en) * | 2007-10-11 | 2009-04-16 | Aaw Products, Inc. | Magnetic work clothes |
US8516621B2 (en) | 2007-10-11 | 2013-08-27 | Aaw Products, Inc. | Magnetic work clothes |
US20090314813A1 (en) * | 2008-06-24 | 2009-12-24 | Aaw Products, Inc. | Magnetic tool holster |
US8403140B2 (en) | 2009-07-13 | 2013-03-26 | Aaw Products, Inc. | Apparatus and method for displaying tool holders incorporating magnets |
US20110073343A1 (en) * | 2009-09-25 | 2011-03-31 | Panasonic Electric Works Power Tools Co., Ltd. | Electric power tool |
US20110214214A1 (en) * | 2010-03-03 | 2011-09-08 | Honeywell International Inc. | pocket for a v-blade safety and rescue knife |
US20130020359A1 (en) * | 2011-02-25 | 2013-01-24 | Tyler Green | Wonderband systems |
US10173334B2 (en) | 2013-05-03 | 2019-01-08 | MagnoGrip Inc. | Magnetic utility knife and holder |
US10792828B2 (en) | 2013-05-03 | 2020-10-06 | Magnogrip, Inc. | Magnetic utility knife and holder |
US20160106201A1 (en) * | 2014-10-17 | 2016-04-21 | Biowerx, LLC | Smartphone armlet |
US20160169648A1 (en) * | 2014-12-12 | 2016-06-16 | Dwain Singleton | Ammunition Carrying Apparatus |
US9648941B1 (en) * | 2015-11-19 | 2017-05-16 | Sergio Gonzalez | Magnetic tool belt and wrist strap kit |
US9846008B1 (en) * | 2016-06-01 | 2017-12-19 | Michael C. DiLeo | Holster |
US10098443B2 (en) * | 2016-06-16 | 2018-10-16 | Sinergy, Llc | Arm worn hydration device |
US20170360184A1 (en) * | 2016-06-16 | 2017-12-21 | Sinergy, Llc | Arm worn hydration device |
US20180116204A1 (en) * | 2016-11-01 | 2018-05-03 | Ricky Gravely | Hunting arm sleeve |
US10062364B1 (en) * | 2016-11-10 | 2018-08-28 | Justin M. Amaral | Drumstick sleeve |
USD848143S1 (en) | 2018-01-19 | 2019-05-14 | TBC Construction Products, LLC | Tooling spoon holster |
USD871764S1 (en) | 2018-02-22 | 2020-01-07 | Andre A. Woolery | Tool bag |
US10786068B1 (en) * | 2019-03-13 | 2020-09-29 | Aaron Gross | Dual strip magnetic fastening |
US10806194B1 (en) * | 2020-01-31 | 2020-10-20 | Joshua Tyson | Beauty gloves |
US12122559B2 (en) | 2021-11-24 | 2024-10-22 | MagnoGrip Inc. | Tool holding system, method and device with cover sheet |
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Legal Events
Date | Code | Title | Description |
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AS | Assignment |
Owner name: MANTIS DESIGN GROUP, INC., CALIFORNIA Free format text: ASSIGNMENT OF ASSIGNORS INTEREST;ASSIGNOR:SANTIAGO, ORLANDO R.;REEL/FRAME:017327/0452 Effective date: 20050627 |
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Owner name: ORLANDO R. SANTIAGO, NEW YORK Free format text: ASSIGNMENT OF ASSIGNORS INTEREST;ASSIGNOR:MANTIS DESIGN GROUP, INC.;REEL/FRAME:018387/0876 Effective date: 20061003 |
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STCB | Information on status: application discontinuation |
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