(pronounced "guttersnipe")

Convert to and from .mid, .abc, .vex, and .tab files.

Transcribe music for guitar, capable of converting audio files (.mp3, .wav), MIDI (.mid), and various text-based formats (.tab, .vex, .abc) into high-quality ASCII tablature. Read about the current state of these new features

gtrsnipe is a guitar transcription tool. Its primary function is to create playable guitar tablature from a variety of sources. It now features a fledgling audio-to-tab pipeline that can take a mixed audio track, isolate the guitar part, and transcribe it into a tab.

It can also convert existing MIDI files into text-based notations or, in reverse, generate a playable MIDI file from a text-based tab.

At its core, gtrsnipe uses an intelligent fretboard mapper that analyzes notes and chords to find comfortable and logical fingerings on the guitar neck. This process is highly customizable, allowing you to fine-tune the output to match your personal playing style and preferences.

For audio files, gtrsnipe uses a multi-stage pipeline to process the sound and transcribe the notes. Each stage can be enabled or disabled via command-line flags.

flowchart TD
    A["Audio File (.mp3, .wav)"] -->|"--stem"| B["Demucs Source Separation"]
    B -->|"--nr,--remove-fx"| C["Noise & Reverb Reduction"]
    C --> D["Basic-Pitch Transcription"]
    D --> E{"GtrSnipe Core Mapper"}
    E --> F["ASCII Tablature (.tab)"]

You must have a working Python programming language environment installed (from python.org or your system's software package manager) as well as git (from git-scm.com or your system's software package manager.)

It is highly recommended to install gtrsnipe within a python virtual environment.

git clone https://github.com/scottvr/gtrsnipe
cd gtrsnipe
python -mvenv .venv

Activate the environment:

on Windows: .venv\Scripts\activate on MacOS/Linux: . .venv/bin/activate

Then, install the project and its dependencies:

pip install -e .

The installation process makes gtrsnipe available as a command within your activgated virtual environment.

uusage: gtrsnipe [-h] [-i INPUT] [-o OUTPUT] [--capo CAPO]
                [--tuning {STANDARD,E_FLAT,DROP_D,OPEN_G,BASS_STANDARD,BASS_DROP_D,BASS_E_FLAT,SEVEN_STRING_STANDARD,BARITONE_B,BARITONE_A,BARITONE_C,C_SHARP,OPEN_C6,DROP_C,PIANO}]
                [--bass] [--num-strings {4,5,6,7}] [--max-fret MAX_FRET] [--mono-lowest-only] [--nr] [--remove-fx]
                [--stem-track {guitar,bass,drums,vocals,piano,other}] [--demucs-model DEMUCS_MODEL] [--constrain-frequency]
                [--min-note-override MIN_NOTE_OVERRIDE] [--max-note-override MAX_NOTE_OVERRIDE] [--low-pass-filter] [--onset-threshold ONSET_THRESHOLD]
                [--frame-threshold FRAME_THRESHOLD] [--min-note-len-ms MIN_NOTE_LEN_MS] [--melodia-trick] [--nudge NUDGE] [-y] [--track TRACK] [--analyze]
                [--transpose TRANSPOSE] [--no-articulations] [--staccato] [--max-line-width MAX_LINE_WIDTH] [--single-string {1,2,3,4,5,6}] [--constrain-pitch]    
                [--pitch-mode {drop,normalize}] [--debug] [--list-tunings] [--show-tuning TUNING_NAME] [--fret-span-penalty FRET_SPAN_PENALTY]
                [--movement-penalty MOVEMENT_PENALTY] [--string-switch-penalty STRING_SWITCH_PENALTY] [--high-fret-penalty HIGH_FRET_PENALTY]
                [--low-string-high-fret-multiplier LOW_STRING_HIGH_FRET_MULTIPLIER] [--unplayable-fret-span UNPLAYABLE_FRET_SPAN]
                [--sweet-spot-bonus SWEET_SPOT_BONUS] [--sweet-spot-low SWEET_SPOT_LOW] [--sweet-spot-high SWEET_SPOT_HIGH] [--ignore-open]
                [--legato-time-threshold LEGATO_TIME_THRESHOLD] [--tapping-run-threshold TAPPING_RUN_THRESHOLD] [--pre-quantize] [--dedupe]
                [--quantization-resolution {0.0125,0.0625,0.125,0.25,0.5,1.0}] [--prefer-open] [--fretted-open-penalty FRETTED_OPEN_PENALTY]
                [--barre-bonus BARRE_BONUS] [--barre-penalty BARRE_PENALTY] [--let-ring-bonus LET_RING_BONUS] [--diagonal-span-penalty]

All scoring parameters, whether they end in -bonus or -penalty, are simply numerical weights. The suffix is used to indicate the parameter's default behavior—penalties are subtracted from the score, and bonuses are added.

You can invert the behavior of any scoring parameter by providing a negative value. This allows for a high degree of customization.

Example: Creating a "Penalty" from a Bonus

By default, gtrsnipe rewards fingerings that allow previous notes to ring out (--let-ring-bonus). If you want to create a more staccato or muted style that discourages ringing notes, you can provide a negative bonus, effectively turning it into a penalty:

# Penalize fingerings that allow notes to ring out
gtrsnipe -i input.mid --let-ring-bonus -100 ...

Example: Creating a "Bonus" from a Penalty

By default, the algorithm penalizes wide fret stretches (--fret-span-penalty). If you want to encourage the system to find wide, complex chord voicings, you can provide a negative penalty, which turns it into a bonus:

# Reward wide-stretch fingerings
gtrsnipe -i input.mid --fret-span-penalty -10 ...

options:

• -h, --help show this help message and exit
• -i INPUT, --input INPUT Path to the input file (.mid, .mp3, .wav, etc.).
• -o OUTPUT, --output OUTPUT Path to the output file (.tab, .mid, etc.).
• --nudge NUDGE An integer to shift the transcription's start time to the right. Each unit corresponds to roughly a 16th note.
• -y, --yes Automatically overwrite the output file if it already exists.
• --track TRACK The track number (1-based) to select from a multi-track MIDI file. If not set, all tracks are processed. For a multitrack midi, you will
  want to select a single instrument track to transcribe.
• --analyze Analyze the input MIDI file to find the pitch range and suggest suitable tunings, then exit.
• --transpose TRANSPOSE Transpose the music up or down by N semitones (e.g., 2 for up, -3 for down).
• --no-articulations Transcribe with no legato, taps, hammer-ons, pull-offs, etc.
• --staccato Do not extend note durations to the start of the next note, instead giving each note an 1/8 note duration. When converting from ASCII
  tab.
• --max-line-width MAX_LINE_WIDTH Max number of vertical columns per line of ASCII tab. (default: 40)
• --single-string {1,2,3,4,5,6} Force all notes onto a single string (1-6, high e to low E). Ideal for transcribing legato/tapping runs.
• --constrain-pitch Constrain notes to the playable range of the tuning specified by --tuning.
• --pitch-mode {drop,normalize} Used with --constrain-pitch. 'drop' (default) discards out-of-range notes. 'normalize' transposes out-of-range notes by octaves until
  they fit.
• --debug Enable detailed debug logging messages.

Audio-to-MIDI Pipeline Options:

• --nr Step 2: Enables noise/reverb reduction on the audio stem.
• --remove-fx Pre-process audio with a distortion recovery model before pitch detection.
• --stem-track {guitar,bass,drums,vocals,piano,other} The instrument stem to isolate with Demucs. 'guitar' defaults to the 'other' stem.
• --demucs-model DEMUCS_MODEL The demucs model to use for separation (e.g., htdemucs, htdemucs_fti, htdemucs_6s, mdx_extra).
• --constrain-frequency Constrain pitch detection to the frequency range of the selected tuning.
• --low-pass-filter Apply a low-pass filter to the audio stem based on the instrument's max frequency.
• --onset-threshold ONSET_THRESHOLD Basic-Pitch model's note onset threshold (0.0 to 1.0).
• --frame-threshold FRAME_THRESHOLD Basic-Pitch model's note frame threshold (0.0 to 1.0).
• --min-note-len-ms MIN_NOTE_LEN_MS Basic-Pitch's minimum note length in milliseconds to keep.
• --melodia-trick Enable Basic-Pitch's 'melodia trick'; whatever that is.

Tuning Information:

• --list-tunings List all available tuning names and exit.
• --show-tuning TUNING_NAME Show the notes for a specific tuning and exit.

Mapper Tuning/Configuration (Advanced):

• --fret-span-penalty FRET_SPAN_PENALTY Penalty for wide fret stretches (default: 100.0).
• --movement-penalty MOVEMENT_PENALTY Penalty for hand movement between chords (default: 3.0).
• --string-switch-penalty STRING_SWITCH_PENALTY Penalty for switching strings (default: 5.0).
• --high-fret-penalty HIGH_FRET_PENALTY Penalty for playing high on the neck (default: 5).
• --low-string-high-fret-multiplier LOW_STRING_HIGH_FRET_MULTIPLIER Multiplier penalty for playing high on the neck on low strings (default: 10).
• --unplayable-fret-span UNPLAYABLE_FRET_SPAN Fret span considered unplayable (default: 4).
• --sweet-spot-bonus SWEET_SPOT_BONUS Bonus for playing in the ideal lower fret range.
• --sweet-spot-low SWEET_SPOT_LOW Lowest fret of the "sweet spot" (default 0 - open)
• --sweet-spot-high SWEET_SPOT_HIGH Highest fret of the "sweet spot" (default 12)
• --ignore-open Don't consider open when calculating shape score.
• --legato-time-threshold LEGATO_TIME_THRESHOLD Max time in beats between notes for a legato phrase (h/p) (default: 0.5).
• --tapping-run-threshold TAPPING_RUN_THRESHOLD Min number of notes in a run to be considered for tapping (default: 2).
• --pre-quantize Force a pre-quantization pass, snapping all notes to the quantization grid before mapping.
• --dedupe Enable de-duplication of notes with the same pitch within a chord. Useful for cleaning up MIDI from non-guitar sources.
• --quantization-resolution {0.0125,0.0625,0.125,0.25,0.5,1.0} Quantization resolution. Used by the mapper to determine simultaneous sounding of notes (chords) and by the ascii tab generator mainly
  for spacing purposes.
• --prefer-open Prefer open strings over their fretted equivalents (e.g., open B over G-string fret 4).
• --fretted-open-penalty FRETTED_OPEN_PENALTY The penalty score applied to fretted notes that could be open strings (default: 20.0).
• --barre-bonus BARRE_BONUS Bonus awarded to fingerings that use a barre/single finger (default: 0.0).
• --barre-penalty BARRE_PENALTY Penalty applied to fingerings that use a barre/single finger (default: 0.0).
• --let-ring-bonus LET_RING_BONUS Bonus awarded for fingerings that allow previous notes to ring out (default: 0.0).
• --diagonal-span-penalty Penalize fingerings with an unplayable fret span between consecutive notes.

Instrument Options

• --capo CAPO Specify a capo position. All fret numbers will be relative to the capo.
• --tuning {STANDARD,E_FLAT,DROP_D,OPEN_G,BASS_STANDARD,BASS_DROP_D,BASS_E_FLAT,SEVEN_STRING_STANDARD,BARITONE_B,BARITONE_A,BARITONE_C,C_SHARP,OPEN_C6,DROP_C,PIANO} Specify the guitar tuning or "PIANO" for full-range midi passthrough. (default: STANDARD).
• --bass Enable bass mode. Automatically uses bass tuning and a 4-string staff.
• --num-strings {4,5,6,7} Force the number of strings on the tab staff (4, 5, 6, or 7). Defaults to 4 for bass and 6 for guitar.
• --max-fret MAX_FRET Maximum fret number on the virtual guitar neck (default: 24).
• --mono-lowest-only Force monophonic output by keeping only the lowest note in any chord.
• --min-note-override MIN_NOTE_OVERRIDE Override the calculated lowest note for frequency constraining (e.g., 'E2'). Requires --constrain-frequency.
• --max-note-override MAX_NOTE_OVERRIDE Override the calculated highest note for frequency constraining (e.g., 'E4'). Requires --constrain-frequency.

Full audio-to-tab transcription

Run the complete pipeline on a mixed audio file to generate a tab tuned to Drop D.

gtrsnipe -i x:\S.O.D.mp3 -o march_of_the_S.O.D.tab --bass --stem --stem-name bass --tuning DROP_D -y

Audio-to-MIDI only

Extract the guitar part from a song and save it as a MIDI file, stopping the pipeline there.

gtrsnipe -i "another_song.wav" -o "guitar_part.mid" --stem

Transcribing from Clean Audio

If you already have a clean, isolated guitar track, you can skip the demucs and noise reduction steps.

gtrsnipe -i "my_clean_riff.wav" -o "my_riff.tab"

MIDI-to-Tab (Classic V1 Functionality)

gtrsnipe -i "MrCrowley.mid" -o "mrcrowley.tab" --track 5

All other examples and detailed usage information has been moved to the Wiki

The real power of gtrsnipe comes from its customizability. You can fine-tune the fretboard mapping algorithm and the audio separation models to get the perfect transcription. Detailed documentation with troubleshooting examples are being created in the wiki.

$ gtrsnipe  --list-tunings                                                   
Available Tunings:
- STANDARD              : E4 B3 G3 D3 A2 E2
- E_FLAT                : Eb4 Bb3 Gb3 Db3 Ab2 Eb2
- DROP_D                : E4 B3 G3 D3 A2 D2
- D_STANDARD            : D4 A3 F3 C3 G2 D2
- DROP_C                : D4 A3 F3 C3 G2 C2
- DROP_B                : C#4 F#3 B2 E2 B1
- OPEN_G                : D4 B3 G3 D3 G2 D2
- OPEN_E                : E4 B3 G#3 E3 B2 E2
- DADGAD                : D4 A3 G3 D3 A2 D2
- OPEN_D                : D4 A3 F#3 D3 A2 D2
- OPEN_C6               : E4 C4 G3 C3 A2 C2
- BASS_STANDARD         : G2 D2 A1 E1
- BASS_DROP_D           : G2 D2 A1 D1
- BASS_E_FLAT           : Gb2 Db2 Ab1 Eb1
- SEVEN_STRING_STANDARD : E4 B3 G3 D3 A2 E2 B1
- SEVEN_STRING_DROP_A   : E4 B3 G3 D3 A2 E2 A1
- BARITONE_B            : B3 F#3 D3 A2 E2 B1
- BARITONE_A            : A3 E3 C3 G2 D2 A1
- BARITONE_C            : C4 G3 Eb3 Bb2 F2 C2

Demucs Model Selection (--demucs-model)

Demucs is a state-of-the-art music source separation model. Several models are available, each with specific characteristics. Choosing the right one can significantly improve the quality of the isolated audio stem.

• htdemucs: The default Hybrid Transformer Demucs model. A great all-rounder.
• htdemucs_ft: A version of htdemucs fine-tuned on extra data. May offer better quality at the cost of speed.
• htdemucs_6s: A 6-source version that can additionally attempt to separate piano and guitar, though quality may vary.
• hdemucs_mmi: The v3 Hybrid Demucs model, retrained on more data.
• mdx / mdx_extra: Models known for high performance, trained on the MusDB HQ dataset.
• mdx_q / mdx_extra_q: Quantized (smaller, faster) versions of the mdx models, which may have slightly reduced quality.