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normal about fate vs free will (lying)

@annabelle--cane / annabelle--cane.tumblr.com

Marina. Any pronouns. Bi/genderfluid/gray ace. 23. White. Mobile about/links. Theater and audio drama blog that started out as a riordanverse blog, so that comes up occasionally.
Dr. Gurathin arrives on Preservation and keeps running into trouble when he tries to process the world around him with the mind of a Corporate. They all keep telling him "Gura, that's not how hospitals work, Gura, that's not how friendship works, oh Deity Gura please that's DEFINITELY not how sex works," but it won't get any easier to swallow. He knows intimately that debt can never really be forgiven, someone always needs to eat the cost, but why does no one else seem to notice?

chapter one of installment ii of my descent into madness, ft. some abominably timed culture clash, two surreal dreams with menacing syringe symbolism, cnc institutionalization, and the first entry of my very own brand new "addiction culture utopian speculative fiction" microgenre which after five minutes of googling I don't thiiink already exists. up next: a wild book character sighting, more menacing surreal dreams, and arguments about interior decorating. blease mind the tags.

at the request of @quadrilioquy, a deleted scene from the currently in-progress sequel to naïvety, though it basically holds up on its own. I'll be cannibalizing a fair amount of this for a different scene that hits similar beats in the finished fic, so if you have any interest in reading that whenever it's ready to be born then some stuff might feel familiar. **content warnings: drug addiction/withdrawal, allusion to past medical/psychiatric abuse, ptsd symptoms.**

~

In Gurathin's defense for all of the following, the active hallucinations only stopped two days ago. 

He’s halfway through changing into a new outfit behind an information kiosk when he gets a feed alert from Dr. Mensah. Ayda. Mensah. Whatever. He carefully bypasses the intended message display so he can read it without it registering as having been opened.

Just double checking: are you coming back, or did you forget to fill out the forms when you left?

Dr. Ayda Mensah makes a new friend (?) at a conference and tries to look after him when he takes suddenly ill, carefully ignoring all the red flags that keep cropping up whenever they speak. It goes much worse and also much better than she expected.

hi everyone. I scrapped and restarted this three separate times but my number of ego deaths is surely up in the dozens. makeup removal as metaphor for sex. suicide intervention as metaphor for proposal. 7.3k of my middle aged m/f ship that's enjoyed by five or maybe even six people worldwide and actively disliked by numbers as high as like maybe one or two more than that.

What if they didn't come up with the hard wire solution for the unanesthetized surgery and Gurathin's complex about being quiet and not expressing pain came into play?

or, a quick one shot of torturing that sad brunette man some more, which then tortures that sad blonde construct and that sad brunette woman some more

contemplating web!georgie. no one in her care can spiral out and get hurt if she just invites them over then seals all the exit doors shut with spiderwebs 😊

moving this out of the tags because I've just had a vision of melanie waking up at geogie's place sometime around late season three with jon there looking at her like 👁️👄👁️. and she starts going off:

melanie: oh my god, jon, where have you been! you've been vanished for two weeks!

jon: melanie

melanie: martin's been worrying himself sick, we all thought you'd been kidnapped again, but you've just been shacked up in hiding with your ex?

jon: melanie

melanie: oh please, that's a real bastard move, even for you. if you're getting back together with her or something then you should at least reject martin to his face instead of ghosting him like this

jon: melanie

melanie: alright, what? what is it?

jon: try standing up

melanie: why, what do mean? I--am I tied to the fucking radiator?

jon:

melanie: so you were kidnapped again.

so about that:

https://archiveofourown.org/works/67661641/chapters/174901621

mosquitos have always flocked to jonathan.

he has a particular memory from when he was about eleven of sitting outside in the sun and feeling a little prick on the back of his hand. he put it down to the tickle of sweat and ignored it, before, out of the corner of his eye, seeing the blasted thing rise up from his skin and begin making its way towards the friend sitting beside him. he clapped his hands around it in a flash before it could have the chance to sink its strange needley mouth into anyone else, feeling the tiny crunch between the meat of his palms.

he had opened his hands again, and, upon seeing the creature’s mangled and dismembered corpse all over him, briefly regretted how quick he was to action. his immediate instinct was to wipe his hands off on the long grass on which he was sitting, but something gave him pause before he could. there was a small, bright smear of red across the palm of his hand, mixed in with the dead insect’s body parts. fresh blood. his blood.

for a second, it felt like an injustice. that had been in his body less than ten seconds ago, why couldn’t he have it back? he had the mad idea to lick it off of his palms, but stayed his tongue before he could so thoroughly make a fool of himself in front of his friend. he wiped his palms on the grass, washed his hands of it, and that was that. still, he was glad he had dealt with the issue before the bloodsucker could make its mark on anyone else.

jonathan is now no longer eleven, and he stands in the count’s room, staring at the monster’s wretched youthful body.

was spitballing ideas for a creative essay in my victorian horror class and, mostly as a joke, wrote down "carmilla and dr jekyll get bored at a twelve step meeting for monsters and go out for fast food," have been semi seriously thinking about it for the last little while, and I'm now appalled that this character dynamic exists only in my brain. carmilla, spiritually twenty years old but has been alive for centuries and has been out to herself since she was twelve, dragging mid fifties dr jekyll out of the closet kicking and screaming. carmilla, languid and completely unbothered, asking jekyll why he decided to try and turn his life around, and him mournfully going through the whole story of how he gradually lost control and killed someone. him asking her the same in return with an addition of "you really don't seem that bothered about all the murders you did, so why stop?" and carmilla sinking into her chair and sheepishly saying "...my girlfriend said we had to go on pause until I could stop drinking her blood all the time."

OH I did actually end up writing this! would anyone be interested if I uploaded a version to ao3 or something?

you can't just say that and then not give the link I need this in my life lmao

oh, these little rejections

3k, connverse, hurt/comfort, post canon

They meet up in Providence Island as planned, but Steven seems to be pulling away from Connie in a few places. She thinks he's had a change of heart about her after his time alone. He's afraid to show her his worst memories if they fuse.

or: what if I visited you on your college tour and I had trauma and there was only one bed and we were both stevonnie 😳😳😳

the best policy - the magnus archives - 20,094 words

relationships: martin blackwood/jonathan sims; basira hussain & melanie king & alice "daisy" tonner & jonathan sims

tags: truth spells, alternate universe - canon divergence, pining, angst with a happy ending

more tags and full content warnings can be found on ao3

summary:

Not too long after Jon and Basira return from Ny-Ålesund, a Leitner that forces its reader to always tell the truth works its way into the Institute, and it's only a matter of time before our dear Archivist accidentally (well. Sort of.) finds himself cursed by it. Any question asked of him produces a fully truthful answer, and the more he tries to resist, the more honest and personal the confessions become. Can he and the Archives staff fix this while he still has some secrets left to himself? Or will they succumb completely to their oldest and toughest enemy: direct communication.

this was written as part of the 2021 rusty quill big bang, with accompanying art pieces by @teamellow/@koalakat0 and @miskapestek!

link in reblog!

the best policy - the magnus archives - 20,094 words

relationships: martin blackwood/jonathan sims; basira hussain & melanie king & alice "daisy" tonner & jonathan sims

tags: truth spells, alternate universe - canon divergence, pining, angst with a happy ending

more tags and full content warnings can be found on ao3

summary:

Not too long after Jon and Basira return from Ny-Ålesund, a Leitner that forces its reader to always tell the truth works its way into the Institute, and it's only a matter of time before our dear Archivist accidentally (well. Sort of.) finds himself cursed by it. Any question asked of him produces a fully truthful answer, and the more he tries to resist, the more honest and personal the confessions become. Can he and the Archives staff fix this while he still has some secrets left to himself? Or will they succumb completely to their oldest and toughest enemy: direct communication.

this was written as part of the 2021 rusty quill big bang, with accompanying art pieces by @teamellow/@koalakat0 and @miskapestek!

link in reblog!

Annabelle has never been cruel.

It may have been her, in a way, job since her teens to sow and harvest distress in as large quantities as possible, but there hasn’t been anything she can do about that, so she can’t find it in herself to feel any particular way about it. If it had been at all up to her, she doesn’t think she would have chosen that as her profession. Maybe teaching instead. And, when the occasional single choice is offered up, she prefers to take the kinder path where possible.

Mikaele likes to eat dinner before sundown. He always means to make it for himself, but inevitably the second he opens the door to the kitchen, Annabelle will step out with a full tray. Today is different, however. He’s watching the peacocks from a window in the dining room when he hears the telltale approaching sounds of jangling porcelain.

He turns to see her prodding open the door with her foot. “Oh, you’re early today.”

She smiles and sets the tray down on the oak table. “I wanted it to be a surprise.”

“Well, it’s much appreciated, as usual.” He sits down at his usual seat and raises an eyebrow as she takes one as well. “You’re dining with me?”

“I put a bit more time into this meal, I’d like to share it properly.”

Annabelle has never been cruel.

It may have been her, in a way, job since her teens to sow and harvest distress in as large quantities as possible, but there hasn’t been anything she can do about that, so she can’t find it in herself to feel any particular way about it. If it had been at all up to her, she doesn’t think she would have chosen that as her profession. Maybe teaching instead. And, when the occasional single choice is offered up, she prefers to take the kinder path where possible.

Mikaele likes to eat dinner before sundown. He always means to make it for himself, but inevitably the second he opens the door to the kitchen, Annabelle will step out with a full tray. Today is different, however. He’s watching the peacocks from a window in the dining room when he hears the telltale approaching sounds of jangling porcelain.

He turns to see her prodding open the door with her foot. “Oh, you’re early today.”

She smiles and sets the tray down on the oak table. “I wanted it to be a surprise.”

“Well, it’s much appreciated, as usual.” He sits down at his usual seat and raises an eyebrow as she takes one as well. “You’re dining with me?”

“I put a bit more time into this meal, I’d like to share it properly.”

“reaching out with hands that cut you” - 1.1k - cw unhappy ending; spiral typical emotional manipulation; implied/referenced suicide - basically, I relistened to mag 187 and thought “what if I made a distortion!sasha au but just more sad than I have any right to?”

*

Jon plays the tapes he’d found hidden in Sasha’s desk.

One has a quick, light argument about the word “calliope.”

One is a full statement from Sasha, the real Sasha, about Michael, the one he’d had to have S–not Sasha re-record.

The third is from when Prentiss got in. It’s nauseating hearing his own screams played back, but he manages to make it to the end of the tape. “I see you,” he hears, in her voice. “Show yourself!” She starts to scream, and there’s a sound of a door opening. The patter of her shoes on the floor, running full tilt for it. The door swinging shut. Another voice, but not Sasha’s, coming towards the recorder, repeating her final words in a hiss.

There’s never been a door in that part of Artefact Storage.

*

Jon’s mind flies into such a panic, he doesn’t even fully think through that he took the exact same route out of Artefact Storage as Sasha did all those months ago until he catches a glimpse of her, out of the corner of his eye, as he pelts down the hallways. He tries to double back, to find her, to rescue her, but she’s gone again. Of course she’s gone again.

*

Hand slick with lotion and sweat, Jon tries the handle on the yellow door. It doesn’t budge. Michael yanks on it, trying to force it, and his face freezes as he starts to scream. With a creak of old hinges, Michael’s gone, and there’s a woman standing there who speaks with the voice from the recordings.

In another world, this is where Jon might get wary. The throat of delusion incarnate wouldn’t just send a friend to save him. Michael just told him all about how he wasn’t Michael Shelley, this person can’t just be the face they wear. In another world, Jon accepts the escape route but never trusts the friendly face. In this world, he does.

He uses what help the Eye gives him to try and Know whether this is really Sasha, and her face falls. “Of course you don’t recognize me. You forgot me.”

After all this time believing that that thing was Sasha, how can he look into her eyes and tell her that this is where his belief stops?

“reaching out with hands that cut you” - 1.1k - cw unhappy ending; spiral typical emotional manipulation; implied/referenced suicide - basically, I relistened to mag 187 and thought “what if I made a distortion!sasha au but just more sad than I have any right to?”

*

Jon plays the tapes he’d found hidden in Sasha’s desk.

One has a quick, light argument about the word “calliope.”

One is a full statement from Sasha, the real Sasha, about Michael, the one he’d had to have S--not Sasha re-record.

The third is from when Prentiss got in. It’s nauseating hearing his own screams played back, but he manages to make it to the end of the tape. “I see you,” he hears, in her voice. “Show yourself!” She starts to scream, and there’s a sound of a door opening. The patter of her shoes on the floor, running full tilt for it. The door swinging shut. Another voice, but not Sasha’s, coming towards the recorder, repeating her final words in a hiss.

There’s never been a door in that part of Artefact Storage.

*

Jon’s mind flies into such a panic, he doesn’t even fully think through that he took the exact same route out of Artefact Storage as Sasha did all those months ago until he catches a glimpse of her, out of the corner of his eye, as he pelts down the hallways. He tries to double back, to find her, to rescue her, but she’s gone again. Of course she’s gone again.

*

Hand slick with lotion and sweat, Jon tries the handle on the yellow door. It doesn’t budge. Michael yanks on it, trying to force it, and his face freezes as he starts to scream. With a creak of old hinges, Michael’s gone, and there’s a woman standing there who speaks with the voice from the recordings.

In another world, this is where Jon might get wary. The throat of delusion incarnate wouldn’t just send a friend to save him. Michael just told him all about how he wasn’t Michael Shelley, this person can’t just be the face they wear. In another world, Jon accepts the escape route but never trusts the friendly face. In this world, he does.

He uses what help the Eye gives him to try and Know whether this is really Sasha, and her face falls. “Of course you don’t recognize me. You forgot me.”

After all this time believing that that thing was Sasha, how can he look into her eyes and tell her that this is where his belief stops?

it’s dark out on august the fifth when the archives lurch into action.

no one else is in the building at this time, it’s just the six of them in the basement and elias on the top level. it doesn’t feel right, making such a racket of loading bags into a rented van at such a quiet hour. it doesn’t feel quite real, almost dreamlike. like the unknowing is leaking backwards through time, slowing and stilling reality.

martin’s been told he can go back to sleep countless times by everyone who sees him hovering in the corridor amongst the commotion, but he hasn’t got the slightest intention of missing them. missing him.

jon’s hard to pin down, making trips to and from the waiting van faster than his exhausted looking body should be able to take him, but martin isn’t really in any position to talk. time ticks on, the bags of explosives get fewer and fewer, and martin thinks that if he doesn’t make a move to keep jon still then he could miss his last chance to talk to him.

last chance before the trip. not last chance.

martin turns to go seek him out and finds himself almost nose to nose with the man himself. he jumps backwards an inch by reflex.

now to be found here with 100% more conventional capitalization

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