Nazareno Brega
Nazareno Brega's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Oliva (2023)
2/4
“Oliva's bigger problems lie in the reiteration of explanations, whether it's to clarify to multiple characters the reasons for Don Pascual's delirious behavior or to reveal family secrets. [Full review in Spanish]” –
Clarín
Sep 12, 2023
Full Review
Blondi (2023)
83%
4/4
“Dolores Fonzi's feature debut is at first glance a light comedy punctuated by some dramatic moments... but ultimately, it results in a two-handed growth movie, both for Mirko and Blondi. [Full review in Spanish]” –
Clarín
Jun 1, 2023
Full Review
The Little Mermaid (2023)
67%
2/4
“[Rob Marshall] dives into The Little Mermaid without straying too far from the previous version, as someone who needs to swim close to the shore, but finds his stride by adding almost an hour of film to the original 83 minutes.” –
Clarín
May 25, 2023
Full Review
Shazam! Fury of the Gods (2023)
49%
3/4
“The superhero's internal dilemma in search of his identity when facing his destiny is a more interesting struggle than the last showdown in the dome. [Full review in Spanish]” –
Clarín
Mar 16, 2023
Full Review
See How They Run (2022)
75%
2/4
“It's clever aplenty, but the director conveys a lack of commitment to the material... as if he's trying to avoid getting blood on his hands. [Full review in Spanish]” –
Clarín
Sep 22, 2022
Full Review
The Speech (2020)
2/4
“Humor is the only reprieve from the suffocating internal thought process of the protagonist. [Full review in Spanish]” –
Clarín
Sep 1, 2022
Full Review
Araña (2019)
90%
“The key, once again in Andrés Wood's filmography, is in Chilean society's classism, an obsession that became more complex and attractive throughout his work. [Full review in Spanish]” –
Clarín
Feb 20, 2020
Full Review
Gretel & Hansel (2020)
63%
“The scares are more in the sinister tone created by the filmmaker than in the shocking surprise appearances... as if Perkins knew that the story doesn't have enough [weight] for the movie's hour and a half. [Full review in Spanish]” –
Clarín
Feb 20, 2020
Full Review
“Almost always focused on some pantomime. [Full review in Spanish]” –
Clarín
Jan 31, 2020
Full Review
Spies in Disguise (2019)
77%
“A low-flying buddy movie. [Full review in Spanish]” –
Clarín
Jan 30, 2020
Full Review
After the Wedding (2019)
45%
“Becomes a... succession of those emotional clips that the Academy uses to exhibit its Oscar nominees. [Full review in Spanish]” –
Clarín
Oct 10, 2019
Full Review
“Sergio Maravilla Martínez steals the film. [Full review in Spanish]” –
Clarín
Oct 10, 2019
Full Review
“A movie of growth, both for Mario and his daughters, where the filmmaker decides to face, in a single story, the different possible views about love. [Full review in Spanish]” –
Clarín
Jul 8, 2019
Full Review
Remember? (Ricordi?) (2018)
80%
“The director has more questions than answers... and they make [the film] exciting. [Full review in Spanish]” –
Clarín
Jul 8, 2019
Full Review
Badur Hogar (2019)
“Luciana's explosive personality... seems to come out of Hollywood's best classic comedies. [Full review in Spanish]” –
Clarín
May 24, 2019
Full Review
“Happy Hour wanders stumbling between different genres. [Full review in Spanish]” –
Clarín
Feb 21, 2019
Full Review
Happy Death Day 2U (2019)
72%
“The [film] has enough appeal to start wondering about Happy Death Day 3. [Full review in Spanish]” –
Clarín
Feb 14, 2019
Full Review
Escape Room (2019)
51%
“The filmmaker doesn't take advantage of his captive audience, locked in a dark room, and requires only a passive presence. [Full review in Spanish]” –
Clarín
Feb 7, 2019
Full Review
Los últimos románticos (2019)
“[The film] seems... indebted to Edgar Wright's buddy movies. [Full review in Spanish]” –
Clarín
Feb 1, 2019
Full Review
Mary Poppins Returns (2018)
79%
“[Emily Blunt] is the highest point of this colorful sequel. [Full review in Spanish]” –
Clarín
Jan 24, 2019
Full Review
Destroyer (2018)
74%
“[Nicole Kidman] develops the most accomplished role of her career, but at the same time it's impossible not to be distracted by... a mountain of makeup that tries to detract from her appearance. [Full review in Spanish]” –
Clarín
Jan 16, 2019
Full Review
Tout Le Monde Debout (1970)
29%
“[The film] never gets away from that ridiculous sentimentality that marks Rolling to You's tone. [Full review in Spanish]” –
Clarín
Jan 16, 2019
Full Review
Mortal Engines (2018)
25%
“[The] first auspicious sequence mixes the worlds of Mad Max, Transformers and Hayao Miyazaki's Howl's Moving Castle... But the film immediately runs out of strength and fails to keep up. [Full review in Spanish]” –
Clarín
Jan 10, 2019
Full Review
The Image Book (2018)
90%
“The Image Book... is another essay in the form of a collage in which image and sound reconfigure meaning from their confinements. [Full review in Spanish]” –
Clarín
Nov 15, 2018
Full Review
Esto es un asalto (2015)
“[Director Sergio] Wolf shines, from those detailed accounts, in the narrative tension of the documentary, as if he did not focus on one of the most well-known moments in Argentine history since the end of the dictatorship. [Full review in Spanish]” –
Clarín
Nov 15, 2018
Full Review
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